The Maison Code II

The Hidden Love Letter II of a Modern Maison.

Part II



Tate Modern.

Hamlet

In Act IV, Scene VII, Queen Gertrude reports that Ophelia climbed a willow tree —
“There is a willow grows aslant a brook…”
The branch breaks. Ophelia falls and drowns.
She lies among green algae, still as a porcelain doll.

At night, Tate Modern disappears into the shadows of trees.

From the eleventh floor, looking down through circular glass, a hint of purple flags flickers — like a small temple devoted to unspeakable change.

Without hesitation, I chose to become Hamlet.

I began livestreaming — at first simply to keep myself from sinking into the swamp of emotion. I only wanted to retrieve the scent of snow-mountain tea gardens.

Instead, I entered a war — one fought over attention, power, and money.

_____________⬇️____________

Under the Spotlight


My livestream backdrop framed Big Ben through floor-to-ceiling windows.
To the side, the Shard’s golden tip — mist-blue and silver by day,
softly luminous at night, like I.M. Pei’s glass pyramid.

The room was modernist, minimalist.
Black and white.
Warm oak floors.
Square Italian linen sofas.
Soft lighting.

A face easily loved.
Gentle makeup.
An innocent gaze.
A calm voice.
Light conversations. Quick wit.
Ten-hour days.

By one a.m., my rankings placed me among the top in Shanghai — sometimes higher. Familiar within the circle. Capital began to watch. I was almost unbeatable.
At least, that’s what I believed.

The glare of attention eased my financial pressure.
It stunned me.
⬇️

Working ten hours a day, encountering people from every layer of society, every gender, every age — I collected data not in numbers, but in instinct.

Outside the glass curtain wall, the sky flushed red.
At five p.m., Big Ben turned pale gold on cue. Tourists laughed on the bridge, drifting toward the SW1 buildings.

When the lights shut off and the crowds dissolved, I stood downstairs breathing in the sharp air of early spring. My mind cleared.

I never enjoyed post-work socialising.
The clinking glasses.
The rehearsed success stories.
The metrics of attention...

I shut the backend immediately.

At night, I stood by the river watching Tate Modern — its century-old walls and passing travellers.

At six in the morning, police cars arrived with the sunrise.
The officers were tall, unexpectedly gentle. Serious voices. Warm manners. They asked where I was from. Shared five minutes of sandwiches and convenience-store American coffee by the river. No sugar for me.

They returned to duty.
I went home to set up the camera.

Sometimes they recommended burger places — generous portions, thirty pounds well spent. Carrying the tray felt like entering a land of giants. There was comfort in knowing they were fed for long shifts.

Stripped of elite anxieties — organic ingredients, refined palates, sculpted bodies — what remained was daily life. The quiet labour of protecting a city.

This city attracts endless arrivals and departures.
⬇️


Standing before the fourteenth-century stone wall of Jewel Tower, sunlight cuts sideways. Dust from six centuries ago still lingers between the cracks. You can hear history breathe.
The White Tower casts its shadow over Tower Bridge. Thick walls like shields.
Cross the bridge and the city feels like a ghost emerging from history.
Old streets collide with glass façades. Cobblestones underfoot. Neon overhead.
London stands like this — scarred by war, upright in time. Carrying everyone’s story. Pigeons. Squirrels. Foxes. And the stories layered onto buildings — along with seagull traces on car roofs.
Double-deckers roar. Market cries mix with damp grass, grease, strangers’ breath. Everything flows like blood through arteries.

Pigeons perch on statues. Spotted. Proud.
I walked past war memorials and mirrored towers alike.
You showed me that a city can remember both blood and glory — and bury them together inside new structures.

The moment I truly left the spotlight came quietly.

I wanted atmosphere.
I wanted time.
But speed and expectation began consuming the sensitivity required to be a designer, a writer.

Like a proper tea — the opening notes shaped by real human need, the finish refined by craft and history. Yin and yang. Neither optional.

To be continued,

Part III has been waiting for you for a long time...